More progress on the Rembrandt's Shelf painting. (My official painting title manager/wife hasn't approved the name. So this is a temporary title)
I like playing with shadows. I think they add interest and to some degree a sense of place.
Bringing up the color intensity and working on the pipe. at this point I am feeling more and more like I will need something in the bottom left side.
I raised the level of the foreground, it seems to work better. Not sure about the match...(in fact my progress checker/wife says it looks "goofy". That's an official registered critique.
The glass ink well is back. Other than relocating the match I think it is close to the "almost" final phase.(clean up and detail)
Painting In Maine! It doesn't get any better. This blog is my attempt to share what I learn on the journey. I retain the reproduction rights to this artwork.
Saturday, January 29, 2011
Thursday, January 27, 2011
Daily Painting Practice - painting faster doesn't mean painting looser
I think I have finally crossed an "it's all in your mind" barrier that I have been struggling with for a while. (we artists have many of these, it's a hazard of the job). This one was the thought form I call - I can't produce good work quickly enough to feed multiple galleries.
Sounds simple to solve, but again, this is an artist's mind we are dealing with, and nothing is more insecure , with the possible exception of a 3 year old's... after moving into a new house.
Anyway, first the good news. My gallery called to say that a couple of paintings sold. yeah! ( the small marigolds) and I need to replace them , they also reminded me that they would like to have another painting similar to one that sold in the past. I need to get this done this week. Yikes! ....
In the past I have always had the thought that a quick painting meant a loose painting. Now I realize ( don't laugh at how simple the solution sounds ) that if I paint smarter or more deliberately accurate earlier I can produce the quality I want in a more efficient manner.
Duhhhh.
I never said I was a fast learner!
Day one: come up with the idea and set up the still life.
I thought I would show the set up from a different angle. It takes a lot of the glamor away doesn't it? Note the tuna can propping up the picture frame.
Still Day one: I started on a rigid panel that I had previously added a second layer of toned gesso. I mixed some acrylic paint into the white gesso and got this muted purple color. I prefer to work on a pre-toned surface. Can you guess who the painting in the frame will be?
Day two: Start scrumbling in color. Scrumbling is using very dry color on a stiff brush,. Think of coloring lightly with crayons only using paints.
End of Day Two: Things starting to come together. Notice I took the glass ink well out. It helps to do the background first. Instead of trying to paint around the glass, pull the lights out of the background. I also started another painting of mums....can't help myself.
Oh, also on Day One: I had to paint a color sketch for the set-up. I researched the Rembrandt painting on-line. I have 3 books with the same painting and guess what? In each one the color is different. Makes you want to see the original doesn't it?
Below are three images I pulled from the web. I will use a little artistic license and choose the color and tone that I like.
That's all for now... I've got o get back to work.
Sounds simple to solve, but again, this is an artist's mind we are dealing with, and nothing is more insecure , with the possible exception of a 3 year old's... after moving into a new house.
Anyway, first the good news. My gallery called to say that a couple of paintings sold. yeah! ( the small marigolds) and I need to replace them , they also reminded me that they would like to have another painting similar to one that sold in the past. I need to get this done this week. Yikes! ....
In the past I have always had the thought that a quick painting meant a loose painting. Now I realize ( don't laugh at how simple the solution sounds ) that if I paint smarter or more deliberately accurate earlier I can produce the quality I want in a more efficient manner.
Duhhhh.
I never said I was a fast learner!
Day one: come up with the idea and set up the still life.
I thought I would show the set up from a different angle. It takes a lot of the glamor away doesn't it? Note the tuna can propping up the picture frame.
Still Day one: I started on a rigid panel that I had previously added a second layer of toned gesso. I mixed some acrylic paint into the white gesso and got this muted purple color. I prefer to work on a pre-toned surface. Can you guess who the painting in the frame will be?
Day two: Start scrumbling in color. Scrumbling is using very dry color on a stiff brush,. Think of coloring lightly with crayons only using paints.
End of Day Two: Things starting to come together. Notice I took the glass ink well out. It helps to do the background first. Instead of trying to paint around the glass, pull the lights out of the background. I also started another painting of mums....can't help myself.
Oh, also on Day One: I had to paint a color sketch for the set-up. I researched the Rembrandt painting on-line. I have 3 books with the same painting and guess what? In each one the color is different. Makes you want to see the original doesn't it?
Below are three images I pulled from the web. I will use a little artistic license and choose the color and tone that I like.
That's all for now... I've got o get back to work.
Friday, January 21, 2011
Daily painting practice - the long journey - completing a painting of mums
click on the image to enlarge the painting
Mum Mum Mia
24"x36"
oil on canvas
Well, here is the final. Completed just in time to enter the Salon International Competition. ( today is the last day to enter)
Painting this has been quite a journey. Here are all of the progress photos again, for those of you too lazy to go back through the older blog posts.
It all started with a trip to Mary's house and her lovely flower beds.
I had planned on doing a lot of individual still life paintings but my still life arranger/wife suggested this. So I did a color study.
(I guess she was rrr rrrrrr ...right)
There were many more steps than these photos show. (some backwards) Some steps were on top of others and redone several times. But over all I am pleased with the result. Remember, it's all about the process ....(I can say that now that it is over and I am breathing again) . Time for tea!
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