Saturday, May 22, 2010

Daily Painting Practice - What's the cure for Beginitis?

Every artist at some point... actually at several points... OK, most artists most of the time,  deal with hang-ups or insecurities, doubts and bouts of confidence. I know I do. I also have a recurring theme.  Begin, begin, begin... but when do I finish?
I should have started this post like an AA meeting.
" Hello, my name is Peter, and I am a beginner... no, I don't mean a beginner as in just starting... well, actually I do, but ... this is sooooo hard."  I need to take a deep breath and just say it.
  " I'm a beginner not a finisher!"
Ahhhh, there I said it, out loud, in public...( does a blog post count as public?)
Now what are the next 11 steps?


Well here are the next 14 steps. Finish, finish, finish.

You may be wondering how I got caught, I mean, how was my condition discovered? Well, my art psychiatrist/wife found me composing yet another still life. I had fallen to a new low. Instead of taking my time and looking for quality I needed a "quick fix". When she spotted the sketch, already on canvas, I knew I had been busted. That's when I decided to get help... well actually she decided I needed to help myself.
Step One... Finish one, any one, it doesn't matter.
So here I am in the studio, my hands shaking, my mind swirling with new ideas, and that little demon voice inside my head " say fella, how about doing something with all those peonies outside... you know you want to."
I need my support group!.....and another cup of tea.

Thursday, May 13, 2010

Daily Painting Practice - How to Get in the Right Mood to Paint Maine


I often wonder how many other artists approach paintings in the same way I do. I think I spend more time thinking and trying to feel my way through painting then I do actually pushing paint.


As I begin to paint this scene of coastal Maine, I need to find a way to feel like I am there.... in Maine! ( Which isn't the easiest thing to do sitting in a basement in Nebraska).

So, I do a lot of sitting back and staring at the canvas using my imagination to make the scene real to me. But sometimes even more drastic measures are needed.


I had to put on my hat and boots and get a cup of blueberry tea. I also started listening to old sea shanties and snorting salt water.

You also can see my latest addition to the routine. I started wearing disposable gloves to keep the toxins out. I got a package of fifty fairly cheap at Home Depot. I use the Nitrile gloves not the latex or vinyl because they are not for use with turpentine.

Saturday, May 01, 2010

Daily Painting Practice - Why do they call it "Still Life"


Why do they call it "Still Life"? Who came up with that particular phrase? I'm not criticizing, just curious, because I enjoy "still life" painting that has some tension or reference to movement. It might be movement of the viewer's eye through the composition, or perhaps it's the tension of abstract forms of light and dark, or movement indicated by light passing over objects.

When I started with this arrangement I wasn't pleased. No movement for the viewer. No movement translates into no interest.
I thought adding a branch from a flowering quince might help. Also, I like the stronger abstract forms in the painting if I strengthen the band of shadow at the top of the painting.


 Look at this detail. There is also movement during the painting process. I am moving between cool colors and warm colors, between thin washes of muted color and thicker paint  and more intense color.


click on the painting to enlarge the image

Studio Still Life - Work in Progress
20"x20"
oil on canvas

Speaking of moving. I am going to remove the design on the outside of the plate. That white patch is too distracting to the "Still" part of the still life.

Friday, April 23, 2010

Daily Painting Practice - Plein Air Test Flight


click on the painting to enlarge the image
Marge Painting in John's Garden
9"x12"
oil on masonite panel

This week I gave my new Plein Air box a trial run. I had wanted to show photos of the process but my camera decided to quit on me (that's a post for another day). Anyway, my painting friends Marge and John decided to get together at John's house and paint plein air. Perfect timing, I thought, to test drive the new gear.

A few bumps and mis-steps, but much like Spring training for baseball players, I expected to see these. Over all, it felt very comfortable and I like the results. Here are a few of the mis-steps;

  • Half of the Turps I brought in my back pack leaked out of the gasketed "leak proof" can I purchased. Luckily I had it packed in a plastic bag.
  • I loosened one of the screws too much on the bar that raises the panel, before reading the little fine printed label that says "don't loosen the screw too much".
  • My camera quit on me! (this must be traumatic because I keep repeating it).
  • I was standing on the neighbor's lawn and painting just as that neighbor decided to have her lawn sprinkler system tested for Spring. ( thank God oil paints are water proof... artists aren't)

Over all a great time!

Tuesday, April 13, 2010

Daily Painting Practice - graduating to new Plein Air gear

Like other businesses, all up and coming artists need to invest in new equipment every now and then. I was lucky enough to sell a painting recently and used the funds to buy a new plein air kit.  I researched a lot on the web and  decided on the EASy-L  Lite (by Art Essentials). I like the smaller size and the the fact that it comes with the Tripod. I also purchased the stainless steel brush wash cup  and a plein air umbrella.
Out with the old and in with the new. I can't say I will miss my old Duct Taped box. The new box does not come with a palette, so I am using a masonite panel that is toned and  coat with Liquin. I will store my paints in a bag and not in the box. Take a close look ... this is the last time it will look this clean.
Everything fits into this  back pack... Well almost everything. I still haven't unpacked the umbrella, but I am sure I can make it fit...maybe a little Duct Tape will help.
click on the image to enlarge the painting

Back to the North Woods - work still in progress
24"x30"
oil on canvas

I need to get some feedback from my art critics "The Group of Four" then I can call this finished. I already see some things to touch up.  Can't wait to try my new gear in the North Woods.